I'm wondering where most artists will practise their practices after this year - is the gallery still a feasible space?

A game of figuring out the "scene" is an integral part of this work.

I aim to create surreal repetitions of everyday, public spaces that provoke a double take.

Economic recession and fear caused by Covid-19 has made countries increasingly hostile.

The sun was shining through and I saw it as a ray of hope.

I made this in watercolours as part of my art project.

Weeds are aggressive, invasive, wild, and unstoppable.

This is part of a project using the megalithic art and structures of the Boyne Valley in Ireland as inspiration.

Thoughts and memories seemed framed and distilled beyond the actual window of my home.

Through photomontages based on photographs of myself taken when I was a child in 1970s and 80s London, I reflect upon the strangeness and tension of growing up.

A site-specific installation about the celebration of the sense of belonging as a symbol of light.

The slogan on the handcuff ,"I can't breathe", was said by George Floyd.

An exploration of the relationship between the technological, the social and the natural world.

This piece is developed from an encounter during my daily stroll in the nearby park.

‘I’ is the title of my current body of work and is based on my mother.

An image created through hand made collage processes and digital print techniques.

Made during the first lockdown, marking off the days with my first tea /coffee of the morning.

In a year that challenged all our notions of history, identity, authority, community and choice, artistic expression shifted in accordance.

This is a transcription of detail from Piero della Francesca’s frescoes in the church of San Francesco, Arezzo.

The subject for this painting is light - one of the most universal and fundamental symbols representing hope and wisdom, particularly relevant at times like these.

A unique cyanotype print done in the mountains, in nature, and reflecting the natural vibration of plants.

This artwork belongs to Summer Series 2019.

A portrait of an LGBT activist who had to flee Brazil following Jair Bolsonaro's rise to power in 2018.

This picture was taken one early evening on my way up the Goldhawk Road in Shepherds Bush.

The March 2020 lockdown pushed me to use more colour (to cheer myself up !).

This is my most recent large painting (140x120cm), in which there is as much painting as drawing.